David Hawkins in 'Power vs Force'

  • "Conscience does make cowards of us all"

    Kennemer dunes 360° today. Question [ how much do we really need? ]

    Min/max temperature: 4°C/16°C; humidity: 91%; precipitation: 0 mm; sea level pressure: 1031 hPa; wind: Variable 5.0 km/h; visibility: 10.0 kilometres

    "INT. GENERAL HEADQUARTERS OF THE GASTAPO IN BERLIN - DAY

    Officer: Heil Hitler.
    Joseph Tura: Heil Hitler!
    Officer: Colonel, we have Wilhelm Coetze here. If you'd like to look into his record. I hope he'll talk.
    Joseph Tura: He'd better. Send him in.
    Officer: Yes, sir. Wilhelm Coetze!

    A boy, approximately aged ten, enters.

    Wilhelm, the boy: Heil Hitler!
    Josesph Tura: Heil Hitler! And now, Wilhelm, I understand you want a little tank to play with.
    Wilhelm: Yes, my father promised me one if I got a good report card.
    Josesp Tura: But our Fuhrer heard about your report card... and decided to give you just what you want.
    Wilhelm: Heil Hitler!
    Joseph Tura: Heil Hitler! You are going to tell your father who gave it to you, aren't you, Wilhelm?
    Wilhelm: Sure, our Fuhrer.
    Joseph Tura: And then maybe he will like the Fuhrer a little better, won't he?
    Wilhelm: Sure.
    Josesph Tura: He doesn't like him now, does he?
    Wilhelm: No, he doesn't.
    Joseph Tura: And sometimes he even says funny things about him, doesn't he?
    Wilhelm: Well, he said they named a brandy after Napoleon... and they made a herring out of Bismarck. And Hitler's going to end up as...
    Officer: A piece of cheese.
    Wilhelm: Yes.
    Joseph Tura: Yeah. How did you know?
    Officer: Well, it's a natural thought.
    Joseph Tura: A natural thought?!
    Officer: I hope you don't misunderstand. I always, that is... You see, Colonel, I hope you don't doubt my...
    All: Heil Hitler!

    Door opens, Adolf Hitler enters.

    Officer: The Fuhrer!
    Officer: Heil Hitler!
    Joseph Tura: Heil Hitler!
    Adolf Hitler: Heil myself.

    The Director, Mr. Dobosh suddenly interrupts. Standing up agitated from behind his reading table in the theatre.

    Director Mr. Dobosh: That's not in the script!
    Mr. Bronksi (Hitler): But, Mr. Dobosh, please.
    Director Mr. Dobosh: That's not in the script, Mr. Bronski.
    Mr. Bronski: But it'll get a laugh.
    Director Mr. Dobosh: I don't want a laugh here. How many times have I told you not to add any lines? I want...
    Mr. Greensberg: You want my opinion, Mr. Dobosh?
    Director Mr. Dobosh: No Mr. Greenberg, I don't want your opinion.
    Mr. Greensberg: All right, then let me give you my reaction. A laugh is nothing to be sneezed at.
    Director Dobosh: Mr. Greenberg, I hired you as an actor, not as a writer. Understand? No. What does the script say?
    Mr. Bronksi: I make an entrance.
    Director Dobosh: And what do you say?
    Mr. Bronksi: Nothing.
    Director Dobosh: Then say nothing."

    From: 'To Be or Not To Be', Directed by Ernst Lubitsch, Written by Melchior Lengyel, Edwin Justus Mayer and Ernst Lubitsch (uncredited), starring Carole Lombard, Jack Benny, Robert Stack, Felix Bressart, Sig Ruman, first released on February 19, 1942 in Los Angeles, trough United Artists

    "Enter HAMLET.
    Ham. To be, or no to be, -- that is the question: --
Whether 'tis nobler in the mind to suffer
 the slings and arrows of outrageous fortune, or to take arms against a sea of troubles, and by opposing end them? -- To die, -- to sleep, -- No more; and by a sleep to say we end the heart-ache and the thousand natural shocks.
The flesh is heir to, -- 'tis a consummation devoutly to be wish'd. To die, -- to sleep;-- To sleep! perchance to dream: ay, there's the rub;
 For in that sleep of death what dreams my come, when we have shuffled off this mortal coil, must give us pause; there's the respect that makes calamity of so long life; time for who would bear the whips and scorns of the oppressor's wrong, the proud man's contumely, the pangs of disposed love, the law's delay, the insolence of office, and the spurns that patient merit of the unworthy takes, when he himself might his quietus make with a bare bodkin? who would fardels bear, to grunt and sweat under a weary life, but that the dread of something after death,-- the undiscover'd country, from whose bourn no traveller returns,--puzzles the will, and makes us rather bear those ills we have that fly to others that we know not of? 
Thus conscience does make cowards of us all; and thus the native hue of resolution is sicklied o'er with the pale cast of thought; and enterprises of great pith and moment, with this regard, their currents turn awry, and lose the name of action.-- Soft you now! The fair Ophelia.--Nymph, in thy orisons be all my sins remembered."

    From: William Shakespeare's 'Hamlet, Prince of Danmark', Act III, scene 1, written between 1599 and 1602, page 960 of 'The Complete Works of William Shakespeare', first published in 1958 by Spring Books, London

    "We are such stuff
    As dreams are made on, and our little life
    Is rounded with a sleep."

    William Shakespeare as quoted in the preface of 'The Complete Works of William Shakespeare', page VI, first published in 1958 by Spring Books, London

    "The major limitation of consciousness is its innocence."

    David Hawkins in 'Power vs Force', page 251, first published in 1995 by Hay House, United Kingdom

  • Lucid dreaming

    Kennemer dunes 360° today. Catch [ the edge ]

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    "Lucid dreams are also symbolic -- yet in quite a different way […] Their symbolism takes the form of beautiful landscapes -- different luminous phenomena, sunlight, clouds, and especially a deep blue sky. In a perfect instance of the lucid dream I float through immensely wide landscapes, with a clear blue, sunny sky, and a feeling of deep bliss and gratitude, which I feel impelled to express by eloquent words of thankfulness and piety. Sometimes these words seem to me a little rhetorical, but I cannot help it, as it is very difficult in dreams to control emotional impulses. Sometimes I conceive of what appears as a symbol, warning, consoling, approving. A cloud gathers or the light brightens. Only once could I see the disc of the sun […] I awoke fresh and cheerful, better in spirits than I had been for a long time."

    Frederik van Eeden in the first extensive English-language scientific report on lucid dreams 'A Study of Dreams', published in the 'Proceedings of the Society for Psychical Research', Volume 26, 1913

    "[T]here is the story of the great Taoist master Chuang Tzu who once dreamt that he was a butterfly fluttering around. In his dream, the idea that he was a person was alien to him: he was only a butterfly. Suddenly, he awoke and found himself lying there, a person once again. But then Chuang Tzu thought to himself, "Was I before a man who dreamt about being a butterfly, or am I now a butterfly who dreams about being a man?"

    Manfred Kets de Vries in 'The Hedgehog Effect', page 53, first published in 2011 by John Wiley & Sons Ltd., United Kingdom

    "In whatever the domain, the movements of a good, accomplished practitioner do not appear fast. For example, there are messengers who cover forty or fifty leagùes at the run in a single day, but they do not run fast from morning till night. Whereas, a beginner cannot cover such a long distance, even if he has the wind to run the whole day. […] Whatever the domain, the movements of an expert never appear hurried."

    Miyamoto Musashi, in Kenji Tokitsu's 'Miyamoto Musashi. His Life and Writing', page 192, 193, first published in 2000 by Editions Desiris in Francepage

    "[A]thletes need to gird themselves against […] contamination. Humility and gratitude seem to be the only effective shields against the onslaughts of […] exploitation. Athletes in the traditional martial arts employ specific exercises to overcome any tendency towards egotism. The dedication of one's skill, performance, or career to a higher principle provides the only absolute protection. [P]ower is characterised by grace, sensitivity, inner quit, and paradoxically, gentleness in the non-competitive lives of even fierce competitors."

    David Hawkins in 'Power vs Force', page 182, first published in 1995 by Hay House UK Ltd

  • Naturalness vs artificiality

    Kennemer Dunes 360° today. Inside [ outside ]

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    "It is very important that people are lit realistically from existing light sources. And if you cheat, you cheat with light sources that you do not see but feel that they could be there."

    Vilmos Zsigmond as quoted by Ross Lowell in 'Matters of Light & Depth', page 45, first published in 1992 by Brodd Street Books, New York

    "I believe that what is functional is beautiful, that functional light is beautiful light. I try to make sure my light is logical rather than aesthetic."

    Nestor Almendros as quoted by Ross Lowell in 'Matters of Light & Depth', page 45, first published in 1992 by Brodd Street Books, New York

    "[L]iving things react positively to what is life-supportive and negatively to what is not; this is a fundamental mechanism of survival. Inherent in all life forms is the capacity to detect change and react correctively -- thus, trees become smaller at higher elevations as the oxygen in the atmosphere becomes scarcer. Human protoplasm is far more sensitive than that of a tree."

    David Hawkins in 'Power vs Force', page 45, first published in 1995 by Hay House UK Ltd