Above: previsualizing Analog/Digital screening of Peter de Bie's and Kodak's Vision 3 500T Color Negative Film 5219/7219 Portrait. 

Credits: Gé Aarts, camera-operator, shot on Kodak Vision 3 film, processed by Cineco Laboratory Amsterdam, Aaton XTR-prod, ARRI 435 Xtreme, Cooke S-4 lenses and grip supplied by Holland Equipment, sound recorded with Sennheiser 416, Sound Devices MixPro and iPod, perfo soundtransfer by Bob Kommer Studio's, re-shot using Samsung NX100, edited and mixed on MacBookPro using FinalCutPro and Steenbeck ST6001.

See also: "It is our natural birthright to be fit and healthy. Unfortunately, science and medicine have largely missed this point. Researchers look boldly to the future, to new medicines, genetic screening, and surgical procedures, yet never ask the question, "Why do we need theses advances?" and "Is there a simpler, better way to health and wellness?" If they were to ask these questions, they would realise that the key to the puzzle is to start at the beginning.": https://bartvanbroekhoven.com/en-US/running/105-along-the-way-sar-12-along-the-way-navel-of-the-world

"Photography is a luminous drawbridge trough which the story has to reach the audience and the audience has to acces the story, the DP and the director have to built it together with the same objectives. Cinema is synthesis: the rapid and ever increasing popularity of the cinema is due to the possibility of concentrating huge amounts of information in its images, and the immediacy of the process with which the eye transmits them to the brain.": http://bartvanbroekhoven.com/en-US/running/95-sar-6-along-the-way

See also: Interview with Kodak CEO Jeff Clarke (among other excellent Podcasts) by Joe Desana on 'Why He Welcomes Challenge': http://www.spartanuppodcast.com/006-kodak-ceo-jeff-clarke-tells-us-why-he-welcomes-challenge/

Interview with Spartan Race founder Joe Desana (a.o.g.p²) by Mark Divine on 'The Resilient Tree of Ethics, Commitments, and Drive': http://sealfit.com/sealfit-podcast/

KODAK VISION3 500T Color Negative Film 5219/7219: http://motion.kodak.com/motion/Products/Production/Color_Negative_Films/5219.htm

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¹ Fps: Frames per second. See also: '25 fps (and other new frame rates) in digital cinemas': http://www.sbcine.be/?p=3712

² A.o.g.p: among other great Podcasts

Above: template displaying stills of 9 commissioned film-portraits for City of Amsterdam.

See also: "[E]mpty office cubicles from Amsterdam 8th floor POV, Friday night. "[A]t night, you couldn't see the desert that surrounds Las Vegas… But it's in the desert where lots of  the town's problems are solved.": https://bartvanbroekhoven.com/en-US/running/166-25fps-black-magic-shoot-amsterdam

Above: Tibetan Healthcare in Northern India, shot on Kodak Vision 2 (super 16mm) for Corporate film and experimental version.

See also: "Individuals pay particular attention to information that supports their beliefs and either ignore or discount the value of evidence that contradicts their beliefs. [ When encountering information contrary to their own beliefs or opinions ] they face a condition known as cognitive dissonance, or the state of tension arising from holding two cognition's that are psychologically inconsistent. Researsers using images from MRI scans found that when subjects were confronted with dissonant information, they often used the reasoning areas of their brain not to analyse new data or information, but rather to develop a narrative that preserves their initial frames of reference.": http://bartvanbroekhoven.com/en-US/running/101-sar-11-along-the-way

Above: 'You Can Yoga' for San Franciscan Jason Revere required an 'Early-Morning-Sunny-look'. Shot in Amsterdam and on IJmuiden-beach, during a cloudy week-end, partly at night with artificial Daylight lamps, P+S Adapter and Cooke S4 lenses.

You Can Yoga [DVD]: http://www.amazon.co.uk/You-Can-Yoga-DVD-Jason/dp/B000ZN71TA

See also: "[K]eep it simple, keep it natural […] Letting go of judgments, the art of programming with images and "letting it happen" are three of the basic skills involved in the Inner Game. [T]he fourth and most important inner skill [is] concentration.": http://bartvanbroekhoven.com/en-US/running/170-25fps-the-inner-game

"My stress levels were rising fast, and I wasn’t sure what to do. So I got out of my seat and began to do whatever pose came to my mind, focusing deeply on my breathing to calm myself down.": http://bartvanbroekhoven.com/en-US/running/123-sar-epilogue

Above: Short drama, corporate films and second unit stuff. Shot on digital and film formats. On top in the middle: the Head-monk of the Sumur Monastery with Aaton XTR, Cooke 10.4-52, loaded with Kodak Vision 2 (7201): 'Buddha's Medicine'

See also: "In any process of change, the complementary tendency toward stability must always be taken into account. If, for example, the manager puts all the emphasis on change [...] frequently the opposite response is provoked as an attitude of resistance. In The Law of Opposites, such opposition is creatively transcended trough the insight that, in the process of change, change as well as stability are always recursively involved. Any manager wanting to initiate change has to respect stability. If he wants to realise stability, he has to honour change.": http://bartvanbroekhoven.com/en-US/75-sar-9-injury-control-interim-management

"Ik heb een lange zwart-wit opleiding. In Nederland, in fotografie - ik ontwikkelde mijn spullen zelf. Dus ik weet wel wat doorontwikkelen betekent enzo. En dan kom je de vreemdste dingen tegen. Want bij die film 'Dead man' van Jim Jarmusch dat wilden we 'super zwart-wit' hebben. Dat hebben we besteld bij Illford. Dat zijn de vriendelijkste mensen in zwart-wit. We hebben geëxperimenteerd. Enne - maar, de film paste niet in de camera: een andere perforatie. We hebben de hele troep terug moeten sturen. En toen hebben we het zwart-wit bij elkaar geraapt van restjes zwart-wit. En omdat het niet genoeg was heeft Kodak voor ons film aangemaakt. De Dubbel X, ga er nooit op draaien, het is gewoon gemaakt voor TV en kantoren, ik vind het heel oninteressant materiaal, grijzig vaak.¹": http://bartvanbroekhoven.com/nl/links/1-interview-robby-muller-2007-Interview

Ilford website: http://www.ilfordphoto.com/products/product.asp?n=6&t=Black+%26+White+Films

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¹ Robby Müller: "I’ve had a long black & white education. In the Netherlands, in photography – I developed my negatives myself. Therefore I know, however, what pushing means and more things like that. And then you discover very strange things. Because with that film ' Dead man' of Jim Jarmusch we wanted 'super black and white'. We ordered that at Illford. These are the friendliest people in the black & white business. We have experimented… but it was not appropriate, the film didn’t fit in the camera: another perforation. We had to return the complete mess. And then we got some leftovers black & white. And because it was not enough Kodak has produced a stock for our film. Double X, never shoot on it. It has been made originally for TV and offices; I thought it was completely uninteresting material, very grey-ish.": http://cinematography.nl/news-update/latest-news-overview/interview-robbie-müller.html

Above: 14 commissioned film-portraits and design of DVD booklet for Dutch Ministry of the Interior and Kingdom Relations (BZK)/Experteam GSB. 

"The type of drive that powers elite operators is a “me plus we” drive. It means you’re driven to grow and learn new things in a way that benefits yourself and your team, and that is balanced with the needs of the organisation.": http://bartvanbroekhoven.com/en-US/20-training-today-footprint

Above: Don Florencio in 'La Última Trucha'. Shot on Fuji F-64 16mm color-negative-film in Bolivian Andes and on Lake Titicaca.

See also: "[ Mr. Wing: ] You teach him to watch television? I warned you. With mogwai comes much responsibility. But you didn't listen. And you see what happens. You do with mogwai what your society...has done with all of nature's gifts. You do not understand. You are not ready. He has something to say to you. To hear, one has only to listen.": http://bartvanbroekhoven.com/en-US/running/157-sar-sarsential-21-story