Muiderslot

Above: Muiden, Januari 12th 2013

Carl von Clausewitz was a Prussian military theorist who thought of the center of gravity as a focal point,  the one element within a combatant's entire structure or system that has the necessary centripetal force to hold that structure together: "The CoGs of Alexander the Great, Gustavus Adolphus, Charles XII of Sweden, and Frederick the Great, for instance, resided in their respective armies. In different circumstances, the personalities of key leaders, a state’s capital, or its network of allies and their community of interest might serve as CoGs. What all of these various elements have in common is not that they are sources of power, but that they perform a centripetal or centralizing function that holds power systems together and, in some cases, even gives them purpose and direction. Strictly speaking, an armed force is not a “source” of power. Rather, it serves as a focal point that draws and organizes power from a variety of sources: a population base (recruits); an industrial base (weapons and materiel); and an agricultural base (foodstuffs). The same holds true for the personalities of key leaders, state capitals, or alliance networks. These things draw raw power from different sources and refine, organize, and redirect it." Download and read interesting paper 'Clausewitz's Center of Gravity' here.

Above: Inside ridge west-tower, Sunset

 Above: Late afternoon. Deep blue reflections over the Muiderslot. Inside the castle is a state museum. With an exit-trough-the-giftshop. Left is the west tower.

SAR_3_along_the_way

Above: Footprint after todays 32K SAR dune-beach training

"History does not repeat itself, but it does rhyme." Mark Twain, as quoted today by George Friedman in 'Borderlands: The New Strategic Landscape'

"Our feet flattened, our backs straightened, our buttocks strengthened their muscular arrangements to permit us to run. And as more and more we became specialised earthlings, so more and more it became anatomically impossible for us to return to the arboreal life. Such trends take place in an evolving world. A minor alteration of behaviour and body, a change of equivocal value, may command that further genetic alteration beer of increased specific value until a course is determined, and horses are set upon their way, men upon theirs. Now evolution becomes irreversible.

As important as our anatomical adjustments to the terrestrial life were the psychological changes which such life commanded. Shyness is a luxury permitted the mountain gorilla in his high, remote, cloud-softened bamboo thickets. The modesty once demanded of the tiny, primitive mammal in his monster-dominated times retained a value in the lives of jungle primates with profound green tangles of vine and leaf in which they might vanish. But for the ape of the field in those long-gone Miocene times, hiding places might be far from hand. Not unlike the baboon today, the aggressive spirit became a survival asset. Time and again we had no alternative but to stand and fight. And the social necessity, since the time of the true lemur a primate compulsion, doubled and redoubled its survival value."

Robert Ardrey, T'he Territorial Imperative', page 255 (published in 1966)

"The drive to maintain and defend a territory can be regarded not as a cause but only as a condition of human war. One can recognise its workings in the fury of a Finland attacked by a monstrous large enemy; in the madness of Hungarians attempting to reassert their land's integrity; or in the lonely, irrational heroism of the Battle of Britain, when never did so many owe so much to so few.
These were defensive social actions taken in strict accordance with territorial law and deriving from profound instinct the unbelievable magnitude of their energy. But in every case territory was the condition of war, not its cause.

Robert Ardrey, from: 'African Genesis' (1961) as quoted on page 245 of TTI

"For Poland, Slovakia, Hungary, Romania, Serbia and Azerbaijan […] there is not yet an emergency. But one could materialize with surprising speed. The Russians are not intrinsically powerful, but they are more powerful than any of these countries alone, or even together. Given American strategy, the United States would be prepared to begin providing aid, but substantial aid requires substantial action on the part of the buffer countries.

The first and second world wars were about the status of Germany in Europe. That was what the Cold War was about as well, although framed in a different way. We are once again discussing the status of Germany. Today it has no western threat. The eastern threat is weak, far away and potentially more of an ally than a threat. The force that drove Germany in two world wars is not there now. Logically, it has little reason to take risks."

George Friedman, 'Borderlands: The New Strategic Landscape'

SAR_11_dirt_dive

Above: 30K SAR footprint

"Get in...get it over with...then get out" 

'The Ballad of Cable Hogue' (1970) -- directed by Sam Peckinpah 

As suggested in the previous post, best level is achieved when intensity and frequency are balanced.

Balanced frequency and intensity lead to progression and growth and fun.

 

See also:  

http://bartvanbroekhoven.com/en-US/running/77-sar-10-threshold

 

SAR_act_2.1.2

Above: FP SAR BL 30K-training. SAR [ act 2.1.2 ] : expedition.

SAR_6_along_the_way

Above: Footprint after 32K SAR BL training.

"The roaring of lions, the howling of wolves, the raging of the stormy sea, and the destructive sword, are portions of eternity too great for the eye of man."

William Blake as quoted by Joseph Campbell 'The hero with a thousand faces' ('The world navel', page 44)

"Photography is a luminous drawbridge trough which the story has to reach the audience and the audience has to acces the story, the DP and the director have to built it together with the same objectives. Cinema is synthesis: the rapid and ever increasing popularity of the cinema is due to the possibility of concentrating huge amounts of information in its images, and the immediacy of the process with which the eye transmits them to the brain.

The set of rules that technique [...] allows us are indispensable to express ourselves better, more thoroughly and rapidly with the available means. It would be almost impossible to do […] without a great technical training. Everything is to be measured in terms of balanced relationships to serve the story that is committed to us. The enjoyment of the cinematographic show will be the more complete, the less the technique disturbs the story.

To know one's limits is indispensable even to a director of photography -- it is an invaluable gift because the curiosity it generates stimulates one to invent and experiment."

Guiseppe Rotunno in 'Guiseppe Rotunno', published in 1999 by Camerimage, Poland (page 30, 31, 69)