SAR_sarsential™_toolbox_12/14

Above: PGIA SAR training. Sarsential 12: Pit-Stop-Run™ (PSR) [ short, efficient training whilst on the road, supporting the blood flow and happiness of tendons, muscles and bladder ]

"We're in a car gotta get off the road, pronto!"

From 'Pulp Fiction, a Quentin Tarantino screenplay', last draft, scene 72, page 119. First published May 1993. In 1994 re-issued by Miramax books and Hyperion, New York.

"Hollywood has learned by trail and error to respect our 90-to-120-minute ultradian rhythm. If movies are too long, the audience will get restive and bored. The acute master of mood, Alfred Hitchcock, once wrote: "The length of a film should be directly related to the endurance of the human bladder." […] In baseball or football, we see the same ultradian need reflected in the seventh-inning stretch or halftime break, when fans get up and move around. […] That's what feeling good together means: being in synchrony with each other."

Ernest Lawrence Rossi on page 171 in 'The 20-Minute Break', first published in 1991 by Jeremy P. Tarcher, Inc., Los Angeles

"One of the movies of which I'm most proud is Peter Bogdanovich's 'Paper Moon'. We wanted to evoke the classic b&w Hollywood tradition pioneered by cinematographers like Arthur Miller, John Alton and Gregg Toland. 'Citizen Kane' was our biggest influence; I had seen it for the first time in Budapest in 1948 and it had made an indelible impression. Orson Welles and Peter were very close friends, and I got to meet my 'god' while we were preparing our film. I'd been testing b&w film with various filters but still hadn't found the right look. Orson said, "Use red filters, my boy." And I did, because although the filters reduced the film speed and meant I had to use big arc-lights to achieve the deep-focus look Peter wanted, the red filters created incredibly beautiful, dramatic skies and gave us exactly the expressionistic look we were after."

László Kovács about shooting Peter Bogdanovich's black-and-white movie 'Paper Moon', from interview 'The Storytelling of László Kovács, Cinematographer' by Jason Whyte, as quoted on http://www.cinematographers.nl/PaginasDoPh/kovacs.htm

See also: http://bartvanbroekhoven.com/en-US/running/134-sar-sarsential-toolbox-10-14

SAR_prologue

Above: FP SAR 30K-BL-training. Sar training: Peal it off, adjust the parts and reassemble.

Training/today_footprint

Above: I prefer to have my training around sunrise: it multiplies the already good effects, stimulating results during the day to come.

Todays training was 'equal-as-usual' in distance and terrain. It was in the afternoon though, it had more wind, more blue sky, more tide; different training altogether, best suited for the day!

And dedicated to an excerpt, published today, from a (new) book by Mark Divine. His writings, courses and trainings are an inspiration to many people:

"Drive provides a lifelong source of energy if focused on a passionate and worthy end. But be wary, because drive can have a dark side, too. When you’re driven solely by “me” reasons and you confuse determination with stubbornness, you can easily lose sight of the “we” in your life, leaving your coworkers, family, or other teams wondering what happened to that nice man or woman they used to know. The type of drive that powers elite operators is a “me plus we” drive. It means you’re driven to grow and learn new things in a way that benefits yourself and your team, and that is balanced with the needs of the organisation."

Mark Divine: Excerpt from 'The Way of the Seal'.

More here: http://wayofthesealbook.com/ and here http://www.sealfit.com/blog/marks-blog-excerpt-way-seal/

Enjoy!

SAR_act_3.3

Above: FP 30K SAR BLT. SAR [ act 3.3 ] : director. When you aim your camera at a subject, the results start to speak beyond words available at the time of the making! This is my experience both with motion-picture and still-photography. Related to SAR [ Strategic Alert Running ] , I find it helpful to use a camera to picture the result of a training. It shows aspects that you may need to become aware of, as part of working on improvement of technique and efficiency. I would call it Photo Generated Injury Analysis, or PGIA.

SAR_sarsential™_toolbox_3/14

Above: PGIA 30K SAR BLT. Sarsential 3 : awesome-ice-power for tendon care after training. When summer gets hot, dries up the ground and warms-up sea-water, tendons need extra care to support injury prevention. This is part of post-training standard procedure.¹ Ice-cubes can be as large as 500cc frozen water from a Quark bucket. They are seperated from direct skin-contact. Elastic stockings could be found useful: one over the leg, one over that one -- to be filled up with ice. Pictured above: 4 buckets attached, to either side.

More: refer to Search option in lower right corner website, to find more on -- for example ice.

¹ Strategic use of available resources (such as cold water in ponts and at the beach, around winter-season) and Alertness, such as for luring injuries and taking care of them trough developing better technique, is what SAR aims at -- before, during and after Running. Training on steep ground, for example, such as found at many beaches near the branding, is to be found serious un-runanble ground, it is begging for tendon injury. To raise up resistance for the feet by choosing an underlayer of shells (at the beach) or concrete cycle-paths (in the dunes) with small stones on them, on the other hand, seem to stimulate proper technique. It activates the senses in the soles of the feet, spicing up the healing effect of running .